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According to "Carried Away: All About Bags" (The Van dome Press), the first incarnation of the modern accessory, the long-stringed reticule, came in the late 18th century. In fashion, it's the little things that mean a lot, says Farad Chanute, who put together the book and an exhibit at the Muse des Arts Decorates in Paris. "If you take a little object like this one (a handbag), you'll put together a lot of stories of what life is, what power is, religiosity, what men's and women's relationships are – and it's all fashion, too." But Chanute's definition of fashion goes beyond a glossy magazine. He includes wizard's bags, doctor's bags and religious bags in his broad scope. The similarity between an haute couture tote and a satchel belonging to an African witch, he explains, is that both bags hold a secret of some sort. "What you put in your bag is very important to you. That makes a bag very personal, because in it you have a secret. A secret gives you some sort of power. Traditionally, for a woman, a bag holds the things you need for the day, but it's also your little beauty factory, which is very important to the identity of the woman," Chenoune says. Men used to be the ones who'd give women their purses. Wedding purses were a traditional gift from groom to bride through the 15th century, according to "Carried Away." The bags typically were elaborately embroidered with an illustration of a love story. In Papua New Guinea, both men and women carry large knit bile bags. They look like nets decorated with feathers, seashells and other ornaments, Chinbone says. "The people who wear it are not living on the seashore, they live on the mountains, so the more shells you have, the more important person you are. It means you know people on the seashore, and you have a lot of social relationships, and all your friends were willing to give shells to you," he explains. Of course, status bags have been taken to new heights in the designer era, with top fashion companies adorning bags with logos and other signs of luxury, such as skins and fur. A recent auction at Doyle New York featured a black crocodile Hermes Barking, customized with a clasp and lock featuring 14 carats of pave diamonds, that sold for $64,800. Whereas the inside of one's bag is supposed to be personal and intimate, the outside is practically a billboard advertising one's place in the world, Chinbone observes. This became emphasized at the end of the 18th century, when women shifted to the neoclassical style of dress, he explains. "The 'outside pocket' became the modern bag, and by 1920, it became a symbol of women's independence. It said she could go where she wanted to go, and didn't need a man because he held all the possessions," Chinbone said. Years later, Coco Chanel created a handbag that would become the standard for a generation: the 2.55, the quilted bag with chain strap that first appeared in February 1955. "Coca's history with handbags goes way back. She liked shoulder bags to keep hands free; she was inspired by the quilted jackets from jockeys. The 2.55 was the culmination of the work she'd done previously," says Barbara Circa, executive vice president of fashion at Chanel. the bag has become even more important over the past two decades because women do not wear as much 'fashion.' In the 1940s, you wore the total designer look, now clothes are mixed and matched. Bags are part of the new freedom," Chinbone says. "Now you can 'do Charnel' with a bag, not dressed head to toe."
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